«Semper moritur et nunquam mortuus est qui amat». On the death of the lover in some texts of the Spanish Middle Ages
Kevin Matos, pp. 9-41
Lope de Vega and the writing process of La pobreza estimada: between the loyalty to Miseno and the adaptation to his Byzantine plays
Daniel Fernández Rodríguez, pp. 43-60
Don Juan and the discourse of seduction: the two ways of textual transmission
Alfredo Rodríguez López-Vázquez, pp. 61-78
Miguel Delibes’ diaristic trilogy (1955-1995), or the praise of daily routine
Renata Londero, pp. 79-94
The “indio” and the “señor”: The social class in José María Arguedas’ El sueño del pongo
Paola Mancosu, pp. 95-106
About (postmodern) fantastic in contemporary Spanish drama
Veronica Orazi, pp. 107-124
If we want things to change, things will have to stay as they are: adaptation in Javier Tomeo’s Pecados griegos
Rodrigo Guijarro Lasheras, pp. 125-140
Reformulation and popularization of languages for specific purposes: the scientific and technical texts
Daniela Zizi, pp. 141-162
«Quando i’ fui preso». The “first lovers’ encounter” from Dante to Fernando de Rojas
Antonio Gargano, 167-190
Spatial metaphors of desire in the Divina Commedia and in La Celestina
Gemma Gorga López, pp. 191-200
The expressions of illicit passion: literary disguise of desire (Inferno, V and La Celestina)
Ines Ravasini, pp. 201-221
Melibea, a Beatrice in Inferno
Guillermo Serés, pp. 223-242
Dante in La celestina: conflicts or textual contiendas
Juan Miguel Valero Moreno, pp. 243-283
De lagrymas fasiendo tinta… Memorias, Identidades y Territorios cancioneriles, editado por Virginie Dumanoir, Madrid, Casa de Velázquez, 2017, pp. xiv-329
Giuseppe Di Stefano, pp. 287-291
Un lungo respiro, ed. por María Cecilia Graña, Salerno 2018
Carmen Bonasera, pp. 293-296
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